Earlier this month #WeNeedDiverseBooks took Twitter by storm and even became a trending topic. For those who haven’t heard about it or aren’t aware of what this hashtag is all about, check out the official site.
SCREAMING DIVAS by Suzanne Kamata
Screaming Divas had a couple of elements that I particularly liked: music, friendship and diversity.
Music effectively tied all four main characters together despite all their differences. Trudy, Harumi, Cassie and Esther had very different musical backgrounds, yet they came together to form a punk band. Each one of the girls had something to bring to the table, which also led to a lot of conflict. I think that is one thing I particularly appreciated. They didn’t always get along, which added a facet of realness that I often find lacking in books.
Retrospect #19: May 11th
PREP SCHOOL CONFIDENTIAL (Prep School Confidential #1) by Kara Taylor
When I was younger, I used to read a lot of murder mysteries with female protagonists. I read one book after the other. Sadly, I don’t remember the authors or the titles but I do know where they used to reside on the library shelves. As it is, most of the books published in the late 1990s and early 2000s have mostly been taken from those shelves, so I’ll probably never know again which books I read. But there is one thing I do remember: all those clichés! It’s no wonder that after two or three dozen, I was done with them.
The Ambiguity of Genre
Genre confuses many readers. At least it confuses readers on Goodreads. It’s not a rare occurrence that fantasy is shelved as science fiction and vice versa, or that books set in the 1980s are shelved as contemporary and as historical fiction with equal frequency.
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