Usually, when I find out a book is a novel in verse, I will skip it. The Poet X, however, sounded so relatable, that I stepped out of my reading comfort zone. Let me tell you, it was absolutely worth it!
I should be upfront that I have a soft spot for YA contemporary books involving drama and theatre. These books invoke such nostalgia because I spent two years acting and studying theatre for A Levels. That’s precisely why I was drawn to This Tiny Perfect World. A summer theatre camp sounded like a full immersion that I was bound to enjoy. In that regard, I was pretty pleased. A good chunk of This Tiny Perfect World is indeed dedicated to Penny’s curriculum time and rehearsals.
Bluescreen was a fast-paced mystery rooted in science fiction. Set in the near future, the setting felt immediate yet very much more advanced. A lot of the communication technology and technology as a whole reflected current imaginations of what could be possible in a couple of decades. I thought Bluescreen tapped on that technological knowledge very well and injected some creativity as well.
Assassin’s Heart wasn’t a book that I had prioritised to read. The reason I got to it so soon after publication was that I had the maximum 6 credits on my Audible account. In order not to forfeit any credits, I had to spend one before the new cycle. Since Assassin’s Heart was the only book available as an audiobook from my TBR (to be read) pile among the titles I didn’t own, I went for it. Essentially, I went in without any set expectations.
After re-reading Divergent, I knew that chances were I wouldn’t like Insurgent anywhere near as much as I did back in August 2013. What I didn’t expect was to walk away feeling oh so cold. There were so many things about Insurgent that made me want to chuck it. As early as the 96th page, I feared I would mark this re-read a DNF. The book had already annoyed me a lot within those pages alone.