Assassin’s Heart wasn’t a book that I had prioritised to read. The reason I got to it so soon after publication was that I had the maximum 6 credits on my Audible account. In order not to forfeit any credits, I had to spend one before the new cycle. Since Assassin’s Heart was the only book available as an audiobook from my TBR (to be read) pile among the titles I didn’t own, I went for it. Essentially, I went in without any set expectations.
For the most part, I enjoyed Friends with Boys but… there are two buts. Firstly, the title is infinitely deceiving. Boys shouldn’t be plural. The boys in her life were her brothers. The boy who was a friend wasn’t the focus either. I’d say a more appropriate title would’ve been this: Finally Friends with a Girl. Secondly, were did the ending go to? Quite literally, I thought my copy was missing pages.
A Thousand Nights is a magical book. The prose is exceedingly beautiful. If literary fiction were to bridge over to the young adult segment, this book would be a stellar example of the genre. In some ways, I think that if readers were to expect a slow story, magnificent in words over a fast-paced one, then the reviews wouldn’t have come to be as mixed as they are now.
Set in Nazi England, 2012–2014, The Big Lie is premised on one question: What if the Nazis had won World War II? With this in mind, The Big Lie is a speculative work of alternative history. While nobody can say for sure how things would’ve turned out, I think the world that Julie Mayhew imagined is a rather plausible outcome. She evidently did her research and wove together the fascist ideals and lifestyles of the 1940s with contemporary ones.
Thinking about A Court of Thorns and Roses evokes a whole range of emotions in me — all negative. Of the books I’ve read this year, only The Miniaturist received a lower rating from me. After accounting for all my variables (prose, characterisation, plot, depth, originality, impact & voice), my final rating is a measly 0.857 out of 5. Rounded up that means 1 star.