Good satire makes you laugh while simultaneously reflecting on the subject matters. Rooted in reality, it makes you wonder how serious these characters are (very) but then on second thought you realise that they’re world views are so black and white, they couldn’t be for real. With that in mind, Borowitz used satire very effectively in Family and Other Catastrophes. Emily was so neurotic but with the kind of mother she had, it kind of made sense. Her sister Lauren, was fully committed to feminist social activism, in stark contrast to their brother, Jason, who was a desperate divorcé and quite the sexist.
REBEL OF THE SANDS by Alwyn Hamilton
The first 200 pages were not written well. I was bored and felt growing discomfort with the mangled Middle Eastern culture this fantasy book was premised on. At least the next 150 odd pages picked up a little in terms of plot and also storytelling, so I didn’t end up thoroughly hating Rebel of the Sands. Still, this book has so many problems, I’m relieved I didn’t order the sequels before finishing this one first.
A SHADOW BRIGHT AND BURNING by Jessica Cluess
When I first stumbled across A Shadow Bright and Burning, I passed right over it. After some time though, the hype wore me down, and curiosity got the better of me. I looked up chapter samplers, and was hooked.
SPELLSLINGER by Sebastien de Castell
Spellslinger is a rather quirky book, which I enjoyed very much. A young mage who’s struggling with magic, a traveller passing through who can’t keep her hilarious social commentary to herself, and a snarky talking squirrel cat? This combination was most peculiar, making me laugh and smirk throughout.
THE BIG LIE by Julie Mayhew
Set in Nazi England, 2012–2014, The Big Lie is premised on one question: What if the Nazis had won World War II? With this in mind, The Big Lie is a speculative work of alternative history. While nobody can say for sure how things would’ve turned out, I think the world that Julie Mayhew imagined is a rather plausible outcome. She evidently did her research and wove together the fascist ideals and lifestyles of the 1940s with contemporary ones.
