My problem with space operas is that usually not much happens besides the characters floating through space. On that front, I felt The Long Way to a Small, Angry Planet fit squarely fit that trope. Conflicts outside of the spaceship didn’t arise as often nor as intensely as I had liked, even with their unpredictable mission and the threat of war looming. The reason I enjoyed this book anyway were the characters. They were absolutely wonderful!
With such a stellar conclusion to the first Mistborn trilogy, The Hero of Ages has firmly established itself as one of my favourite books. The trilogy consistently wowed me and I can’t stop emphasising the sheer brilliance of it. There is no other trilogy in which I rated all three books with 5 stars. That’s why I’m absolutely glad I picked it up despite my initial reservations. Thanks to these books, I have made it my quest to read Brandon Sanderson’s other works. He’s clearly a master plotter dedicated to his craft. There’s something to be said about the complexity of the worlds he’s capable of building.
If I could only use one word to review The Final Empire, I would pick brilliant! Indeed, it is a brilliant book. The world building was impeccable and the laws of nature in this world were very exacting. What set it apart was the impact of metals and how they could be controlled through Allomancy and Feruchemy. These two systems had such logic and were so consistent that by the end of the book, I instinctively knew the outcomes of manipulating various metals.
Set in Nazi England, 2012–2014, The Big Lie is premised on one question: What if the Nazis had won World War II? With this in mind, The Big Lie is a speculative work of alternative history. While nobody can say for sure how things would’ve turned out, I think the world that Julie Mayhew imagined is a rather plausible outcome. She evidently did her research and wove together the fascist ideals and lifestyles of the 1940s with contemporary ones.