The first time I heard the term “retelling,” I expected it to refer to reimagined fairytales. I didn’t exactly expect these to be simply be stories inspired by fairytales. Stepsister, however, is exactly that which I had originally expected of a retelling. It builds upon the well-loved fairytale of Ashputtel, blood and all. It was entertaining with its dark humour as it continued to tell the story of how it might have continued. Stepsister was more detailed since it’s a novel rather than a short story but stylistically, it still very much read like a fairytale.
I’m not particularly fond of books in which the entire plot revolves around travelling from point A to point B. Yet, I tend to be drawn to road trip novels. I suppose this stems in part from the fact that I suffer from motion sickness. Actual road trips therefore aren’t exactly enjoyable. And so, reading is a way for me to experience these vicariously. On that front, Mariam Sharma Hits the Road absolutely delivered. I felt right at home with this trio.
Books about music usually are full of heart and soul. On the Come Up is no exception. In fact, it far surpassed more than a few of such books I’ve loved before. On that front, I actually am a bit surprised. I knew that coming from Angie Thomas, this one would be a good book. However, hip hop isn’t generally on my radar, so I did go in with slightly tempered expectations.
I should be upfront that I have a soft spot for YA contemporary books involving drama and theatre. These books invoke such nostalgia because I spent two years acting and studying theatre for A Levels. That’s precisely why I was drawn to This Tiny Perfect World. A summer theatre camp sounded like a full immersion that I was bound to enjoy. In that regard, I was pretty pleased. A good chunk of This Tiny Perfect World is indeed dedicated to Penny’s curriculum time and rehearsals.