Good satire makes you laugh while simultaneously reflecting on the subject matters. Rooted in reality, it makes you wonder how serious these characters are (very) but then on second thought you realise that they’re world views are so black and white, they couldn’t be for real. With that in mind, Borowitz used satire very effectively in Family and Other Catastrophes. Emily was so neurotic but with the kind of mother she had, it kind of made sense. Her sister Lauren, was fully committed to feminist social activism, in stark contrast to their brother, Jason, who was a desperate divorcé and quite the sexist.
LOST FOR WORDS by Stephanie Butland
Lost for Words is the sort of book that requires time and patience from the reader. During the first 100 pages, I considered abandoning the book a few times. I was bored with the writing style and didn’t enjoy jumping around three points in the protagonist’s life — 2016, 2013 and 1999. Two alternating timelines are already more than I tend to like. Three was pushing it.
THE POET X by Elizabeth Acevedo
THIS TINY PERFECT WORLD by Lauren Gibaldi
I should be upfront that I have a soft spot for YA contemporary books involving drama and theatre. These books invoke such nostalgia because I spent two years acting and studying theatre for A Levels. That’s precisely why I was drawn to This Tiny Perfect World. A summer theatre camp sounded like a full immersion that I was bound to enjoy. In that regard, I was pretty pleased. A good chunk of This Tiny Perfect World is indeed dedicated to Penny’s curriculum time and rehearsals.
THE CRUEL PRINCE by Holly Black
The year has just begun and I’ve only finished three books so far, The Cruel Prince being the first, but I think I’m ready to declare it among my top 10 of 2018. Hah. I mean, only two books I read last year exceeded my rating of 4.883 that I gave The Cruel Prince, so yes I’m confident this book will be among my favourites. In other words, the hype pulled through for me, and I think it’s absolutely justified!