In 2017, I counted Caraval to my favourites of the year. It’s no wonder that I was super excited for the sequel. Thus, it’s with a heavy heart that I’m rating it 3 out of 5 stars. The problem for me was that Legendary was more of the same. Now, more of the same should be a great thing if you loved the original. So what went wrong?
SUICIDE CLUB by Rachel Heng
If you could live for hundreds of years, if not, forever, would you want to? In Suicide Club, those who deserve it are given immortality. In exchange, they have to take good care of their health — eat well, exercise and all that jazz. What I liked about this premise was that it plays on our contemporary obsession with health and wellness. Food diet movements abound from “clean eating” to keto to paleo, claiming to detox, strengthen the immune system, etc. Rachel Heng pushed these ideal to the extreme in her futuristic science fiction novel set in New York City.
PONTI by Sharlene Teo
Sharlene Teo writes well and chooses her words very precisely. Her prose is at once cutting, yet atmospheric, which fit Ponti well. Teo’s very talented and the years of hard work she put into honing her craft are evident in her debut novel.
LOST FOR WORDS by Stephanie Butland
Lost for Words is the sort of book that requires time and patience from the reader. During the first 100 pages, I considered abandoning the book a few times. I was bored with the writing style and didn’t enjoy jumping around three points in the protagonist’s life — 2016, 2013 and 1999. Two alternating timelines are already more than I tend to like. Three was pushing it.
THE PARIS WEDDING by Charlotte Nash
A lot of the time, single people in their late twenties are portrayed as sad, lonely or desperate in the media. I’m glad The Paris Wedding doesn’t go down that road, even if the main character is pining after “the one who got away”. In fact, she’s invited to his destination wedding in Paris, which gives rise to a lot of awkward situations and some humorous ones.
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