What I really enjoy about theatre is that it’s a liberating art form. It’s often used to explore ideas that aren’t mainstream. Mimi Fan is a prime example of this in Singapore literature. When it was first staged in 1962, it shocked more than a few sensibilities because it was rather progressive and liberal for its time. The annex even features a newspaper article touting Mimi Fan as a controversial play.
Technically, Christmas Cakes and Mistletoe Nights is a sequel to Cake Shop in the Garden but it stands quite well on its own. I actually only realised that it’s a sequel due to the summarised info dump during the first couple of chapters — think throwback highlight reel at the start of new seasons of TV shows. Once that’s done and dusted, it’s back to regular writing and storytelling.
A lot of the time, single people in their late twenties are portrayed as sad, lonely or desperate in the media. I’m glad The Paris Wedding doesn’t go down that road, even if the main character is pining after “the one who got away”. In fact, she’s invited to his destination wedding in Paris, which gives rise to a lot of awkward situations and some humorous ones.
As much as I enjoy summer reads, predictability tends to be one strike against them. The Honey Farm on the Hill was no exception. I saw nearly every twist coming chapters ahead of them — from Nell’s discoveries about her long lost love to the mystery of disappearing bees to the resolution. Not much about the plot surprised me. Yet, I quite liked this book for the setting, the characters and the relationships.