What I really enjoy about theatre is that it’s a liberating art form. It’s often used to explore ideas that aren’t mainstream. Mimi Fan is a prime example of this in Singapore literature. When it was first staged in 1962, it shocked more than a few sensibilities because it was rather progressive and liberal for its time. The annex even features a newspaper article touting Mimi Fan as a controversial play.
TWEET CUTE by Emma Lord
Tweet Cute was so much more relatable than I had anticipated. Based off the title alone, I probably wouldn’t have picked up the audiobook. But I did remember enjoying Open Road Summer years ago, not realising that Emma Lord wasn’t Emery Lord. Oops. ‘Twas a good mix-up though because I really enjoyed Tweet Cute.
WHAT IF IT’S US by Becky Albertalli & Adam Silvera
Believe it or not, there was a time that I loved cute romance books and adored books with meet cutes. As I hit my twenties though, I suppose I became somewhat jaded. I hardly reached for these books anymore, and when I did, I didn’t enjoy them anywhere near as much as before. Then along came What If It’s Us. I couldn’t stop smiling while reading it!
ONLY LOVE CAN BREAK YOUR HEART by Katherine Webber
I’LL BE HOME FOR CHRISTMAS edited by Ruth Bennett
Home means so many different things to different people, and I’ll Be Home For Christmas definitely captured that through the various short stories. Although, anthologies usually leave me with mixed feelings. I’ll Be Home For Christmas was no different. While I adored most short stories and the poem at the beginning, there were a few that I didn’t enjoy, and a couple of which that even left me confused.
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