Tweet Cute was so much more relatable than I had anticipated. Based off the title alone, I probably wouldn’t have picked up the audiobook. But I did remember enjoying Open Road Summer years ago, not realising that Emma Lord wasn’t Emery Lord. Oops. ‘Twas a good mix-up though because I really enjoyed Tweet Cute.
A CLOSED AND COMMON ORBIT by Becky Chambers
As a standalone sequel, A Closed and Common Orbit did well to outline the setting. I think new readers would be able to understand things just fine. At the same time, it further expanded the world building for those who’ve read The Long Way to a Small, Angry Planet. The characters remained central to the plot of A Closed and Common Orbit as well, thereby justifying the slow pacing.
THE LONG WAY TO A SMALL, ANGRY PLANET by Becky Chambers
My problem with space operas is that usually not much happens besides the characters floating through space. On that front, I felt The Long Way to a Small, Angry Planet fit squarely fit that trope. Conflicts outside of the spaceship didn’t arise as often nor as intensely as I had liked, even with their unpredictable mission and the threat of war looming. The reason I enjoyed this book anyway were the characters. They were absolutely wonderful!
BLUESCREEN by Dan Wells
Bluescreen was a fast-paced mystery rooted in science fiction. Set in the near future, the setting felt immediate yet very much more advanced. A lot of the communication technology and technology as a whole reflected current imaginations of what could be possible in a couple of decades. I thought Bluescreen tapped on that technological knowledge very well and injected some creativity as well.
FAHRENHEIT 451 by Ray Bradbury
How does one even review classics? I think it hardly matters what a singular person like me thinks and blogs about them. Classics have been scrutinised till their words ran dry, I’m sure. Whether I like it or not probably doesn’t matter to anyone when deciding to read classics.
