When I first started out reading Burn, I was intrigued. Historical fiction isn’t all too common in young adult publishing compared to contemporary fiction, fantasy and science fiction. History and fantasy crossing paths? Even less so. But Patrick Ness has an excellent track record of meshing various genres and even defying them, so I expected this one to be a hit as well. It wasn’t but I was still glad that he brought his signature postmodern outlook with a touch of whimsy.
I’m not particularly fond of books in which the entire plot revolves around travelling from point A to point B. Yet, I tend to be drawn to road trip novels. I suppose this stems in part from the fact that I suffer from motion sickness. Actual road trips therefore aren’t exactly enjoyable. And so, reading is a way for me to experience these vicariously. On that front, Mariam Sharma Hits the Road absolutely delivered. I felt right at home with this trio.
I should be upfront that I have a soft spot for YA contemporary books involving drama and theatre. These books invoke such nostalgia because I spent two years acting and studying theatre for A Levels. That’s precisely why I was drawn to This Tiny Perfect World. A summer theatre camp sounded like a full immersion that I was bound to enjoy. In that regard, I was pretty pleased. A good chunk of This Tiny Perfect World is indeed dedicated to Penny’s curriculum time and rehearsals.
Bluescreen was a fast-paced mystery rooted in science fiction. Set in the near future, the setting felt immediate yet very much more advanced. A lot of the communication technology and technology as a whole reflected current imaginations of what could be possible in a couple of decades. I thought Bluescreen tapped on that technological knowledge very well and injected some creativity as well.