Reading End of Days made me wish Angelfall was a standalone. The series of Penryn and the End of Days held so much promise, especially with Angelfall, which I found very original with its unconventional portrayal of angels.
GRAFFITI MOON by Cath Crowley
My favourite undergrad project was graffiti. I spent an entire semester studying the subculture of graffiti, which was a more than colourful endeavour. What I noticed then was the lack of representation of graffiti in YA literature. Perhaps it’s the deviant nature of it that precludes it from being written about so freely? Or maybe it’s also the difficulty of access, which could be limiting authors’ understanding of graffiti.
MATERIAL GIRLS by Elaine Dimopoulous
Reading Material Girls felt like an immersion into an alternate reality. I hesitate to call it futuristic, as many dystopian novels tend to be, because there was no sense of history in relation to our world today.
BELZHAR by Meg Wolitzer
One of the books I most looked forward to in 2014 was Belzhar. When I first saw the US cover, I was taken in and when I read the short description, I was sold. I wanted to read the book. It didn’t matter to me that I had never read a word of Sylvia Plath because I had every intention to. (For the record, I read The Bell Jar before Belzhar to preempt spoilers. Hah.) The hook for me was the exploration of mental stability.
SHADOW AND BONE (The Grisha #1) by Leigh Bardugo
The best part of Shadow and Bone was the setting. I loved that it was Russian-inspired, which lent the book a fair bit of intrigue for me. When it comes to fantasy, the more imaginative the setting, the better. It offers a lot to work with in terms of world building and invites readers into a new realm.
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