How does one even review classics? I think it hardly matters what a singular person like me thinks and blogs about them. Classics have been scrutinised till their words ran dry, I’m sure. Whether I like it or not probably doesn’t matter to anyone when deciding to read classics.
GRAFFITI MOON by Cath Crowley
My favourite undergrad project was graffiti. I spent an entire semester studying the subculture of graffiti, which was a more than colourful endeavour. What I noticed then was the lack of representation of graffiti in YA literature. Perhaps it’s the deviant nature of it that precludes it from being written about so freely? Or maybe it’s also the difficulty of access, which could be limiting authors’ understanding of graffiti.
SHADOW AND BONE (The Grisha #1) by Leigh Bardugo
The best part of Shadow and Bone was the setting. I loved that it was Russian-inspired, which lent the book a fair bit of intrigue for me. When it comes to fantasy, the more imaginative the setting, the better. It offers a lot to work with in terms of world building and invites readers into a new realm.
CINDER (The Lunar Chronicles #1) by Marissa Meyer
Cinder wasn’t technically on the list of books I wanted to read. Sure, I had seen bloggers rave about The Lunar Chronicles but somehow I let all that excitement pass me by. Big mistake! Cinder was wonderful!
FANGIRL by Rainbow Rowell
Fangirl was funny and sweet and wonderful. What I liked best was the college setting without an intense focus on romance. This book was about Cath who tried to find herself, even though she felt she was losing everything. She so desperately tried to hold on to familiarity through her high school boyfriend, her father and most importantly to her, her twin sister Wren. For the first time, she had to be truly independent. I believe that for many, college is the time to find oneself and Rowell presented this transition very well in Fangirl.
