A Thousand Nights is a magical book. The prose is exceedingly beautiful. If literary fiction were to bridge over to the young adult segment, this book would be a stellar example of the genre. In some ways, I think that if readers were to expect a slow story, magnificent in words over a fast-paced one, then the reviews wouldn’t have come to be as mixed as they are now.
THE BIG LIE by Julie Mayhew
Set in Nazi England, 2012–2014, The Big Lie is premised on one question: What if the Nazis had won World War II? With this in mind, The Big Lie is a speculative work of alternative history. While nobody can say for sure how things would’ve turned out, I think the world that Julie Mayhew imagined is a rather plausible outcome. She evidently did her research and wove together the fascist ideals and lifestyles of the 1940s with contemporary ones.
THE REST OF US JUST LIVE HERE by Patrick Ness
Going into The Rest of Us Just Live Here I felt very disconcerted. The main text reads like a contemporary book but each chapter starts with insights on the Chosen Ones and the gods above. There are however overlaps that can be seen when the paranormal events have an impact on the ordinary people. This makes the setting a very strange yet familiar one.
SAINT ANYTHING by Sarah Dessen
Saint Anything wasn’t a book I had meant to read. I figured that the three unread Dessen books that I own should take priority and I don’t even know when I’ll get down to reading any of them. Perhaps I’ll read one later this year since I did like this latest release of hers. The reason I decided to listen to the audiobook of Saint Anything was that it happened to be available to me via Overdrive, so I decided to borrow it on a whim.
A MAD, WICKED FOLLY by Sharon Biggs Waller
I absolutely adored A Mad, Wicked Folly. It is hands down the favourite book of mine thus far this year. The Victorian setting of Trouville, France, followed predominantly by London was glorious. There was such a great mix between history and fiction, I felt like I could see myself as an observer right there by Vicky’s side; at the same time, immersing myself in stunning storytelling. Victoria Darling could be such an impossible main character — rather naïve, really — and yet I found myself caring a great deal for her plight.
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