The first 200 pages were not written well. I was bored and felt growing discomfort with the mangled Middle Eastern culture this fantasy book was premised on. At least the next 150 odd pages picked up a little in terms of plot and also storytelling, so I didn’t end up thoroughly hating Rebel of the Sands. Still, this book has so many problems, I’m relieved I didn’t order the sequels before finishing this one first.
Spellslinger is a rather quirky book, which I enjoyed very much. A young mage who’s struggling with magic, a traveller passing through who can’t keep her hilarious social commentary to herself, and a snarky talking squirrel cat? This combination was most peculiar, making me laugh and smirk throughout.
When it comes to contemporary fiction, I love books with protagonists who have ambition and passion for something. Cut the Lights fully delivered in that department. Drama and theatre were the main focus and very little detracted from that. I think in part that stemmed from the shortness of the book. The length didn’t allow for much else beyond theatre, which means there were no unnecessary distractions.
For the most part, I enjoyed Friends with Boys but… there are two buts. Firstly, the title is infinitely deceiving. Boys shouldn’t be plural. The boys in her life were her brothers. The boy who was a friend wasn’t the focus either. I’d say a more appropriate title would’ve been this: Finally Friends with a Girl. Secondly, were did the ending go to? Quite literally, I thought my copy was missing pages.
A Thousand Nights is a magical book. The prose is exceedingly beautiful. If literary fiction were to bridge over to the young adult segment, this book would be a stellar example of the genre. In some ways, I think that if readers were to expect a slow story, magnificent in words over a fast-paced one, then the reviews wouldn’t have come to be as mixed as they are now.