Flip open This One Summer and you’ll be greeted by beautiful graphics. They’re art pieces in and of themselves. The illustrations are set in monotone though rather than black ink, dark blue has been chosen. This adds softness to the images fitting for the contemporary summer setting of this graphic novel. I could stare at the pages over and over again, allowing my eyes to feast upon the beauty. Sadly, that’s all that my two stars are for.
VICIOUS by V.E. Schwab
Going into books blind, particularly books like Vicious, can be infinitely thrilling. You enter unexplored land and everything is new. You don’t follow the tracks paved by expectations built upon the reading experiences of others. The cover states that it’s “a twisted tale of ambition, desire and superpowers”. It’s very correct in that description. That’s your starting point if you’re up for a thrill. If that’s you, then go on, pick up the book, read it and return to my review later to share your excitement. Now, if you’d rather know what you’re getting yourself into, read on.
NIMONA by Noelle Stevenson
Nimona was something else. All I knew was that it’s a hyped up graphic novel and for someone clueless about them, I was looking for a place to start. I found my library had it, so I decided to borrow it the rest is history. I thoroughly enjoyed Nimona for being so refreshingly different. While the style of graphics didn’t entirely match my taste, it was consistent and very well done. Coupled with the premise, I found myself wanting me when I was done and closed the book.
THE REST OF US JUST LIVE HERE by Patrick Ness
Going into The Rest of Us Just Live Here I felt very disconcerted. The main text reads like a contemporary book but each chapter starts with insights on the Chosen Ones and the gods above. There are however overlaps that can be seen when the paranormal events have an impact on the ordinary people. This makes the setting a very strange yet familiar one.
LO-FI PHOTO FUN by Adam Bronkhorst
First and foremost Lo-Fi Photo Fun is about getting creative with film photography. While Brinkhorst did state in the introduction that many techniques can be applied to digital photography as well, most of these results would have to be achieved in post-processing or through digital photo manipulation.
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