Set in Nazi England, 2012–2014, The Big Lie is premised on one question: What if the Nazis had won World War II? With this in mind, The Big Lie is a speculative work of alternative history. While nobody can say for sure how things would’ve turned out, I think the world that Julie Mayhew imagined is a rather plausible outcome. She evidently did her research and wove together the fascist ideals and lifestyles of the 1940s with contemporary ones.
DIVERGENT (Divergent #1) by Veronica Roth
The first time round I read Divergent in 2013, I devoured it. I loved it to bits. For most of my teen years I read contemporary fiction and to finally delve more into science fiction, specifically dystopian fiction, was exhilarating. Since then I’ve read more dystopian books, some of which impressed me more and some less. Also, this time round I tabbed the pages with post-it notes, annotated and cross-referenced. This close reading forced me to be more critical (in the analytical sense) as I read.
END OF DAYS (Penryn and the End of Days #3) by Susan Ee
Reading End of Days made me wish Angelfall was a standalone. The series of Penryn and the End of Days held so much promise, especially with Angelfall, which I found very original with its unconventional portrayal of angels.
FAHRENHEIT 451 by Ray Bradbury
How does one even review classics? I think it hardly matters what a singular person like me thinks and blogs about them. Classics have been scrutinised till their words ran dry, I’m sure. Whether I like it or not probably doesn’t matter to anyone when deciding to read classics.
MATERIAL GIRLS by Elaine Dimopoulous
Reading Material Girls felt like an immersion into an alternate reality. I hesitate to call it futuristic, as many dystopian novels tend to be, because there was no sense of history in relation to our world today.
