A Deadly Education left me with very mixed feelings. The opening line held so much promise. It offered conflict and an intriguing dichotomy right from the get-go. Such as, why would anyone want to kill the very person who’d saved their life? What more when they had saved them more than once? I wanted answers but didn’t feel like I got much by the end of the book. Is this one premise supposed to span across the entire series? Evidently, but the opening of the story arc for it didn’t turn out as solidly as I had hoped.
Tweet Cute was so much more relatable than I had anticipated. Based off the title alone, I probably wouldn’t have picked up the audiobook. But I did remember enjoying Open Road Summer years ago, not realising that Emma Lord wasn’t Emery Lord. Oops. ‘Twas a good mix-up though because I really enjoyed Tweet Cute.
My problem with space operas is that usually not much happens besides the characters floating through space. On that front, I felt The Long Way to a Small, Angry Planet fit squarely fit that trope. Conflicts outside of the spaceship didn’t arise as often nor as intensely as I had liked, even with their unpredictable mission and the threat of war looming. The reason I enjoyed this book anyway were the characters. They were absolutely wonderful!
The overlapping elements between The Girl at Midnight and Daughter of Smoke and Bone by Laini Taylor is uncanny. If you’ve read and loved DoSaB, you may be overjoyed that there’s another book out there with similar tropes. On the flip side, you may not like it at all because DoSaB was built with much more lyrical prose.